Bakers Dozen
A 13 track pop album () — released September 18th 2006 on Peddler Records
Its unusual but extremely pleasing...heavy funk rhythms and dirty horns...a slight, albeit welcome, change in direction for The Baker Brothers. - Notion Magazine
Baker Brothers take their queues direct from the source and add nuances of modern production and dancefloor grooves...when the grooves are reigned in the grooves are tight. 3/5 - DJ Magazine
...belting out furious afrobeat jams or getting deep into your mind with killer jazz rhythms. Through Kyoto Jazz Massive?s vocalist Vanessa Freeman they have successfully matured into a more soulful outfit - Soulgeneration.co.uk
Best known for their instrumental raw funk workouts, the baker brothers have added a vocal element for this, their second collection. The music as you might expect is a near flawless expression of the vintage deep funk sound (with a healthy smattering of Afrobeat) and the vocals certainly sound the part, but there?s ever the nagging suspicion that the instrumentation would be best served up without the lyrical garnish - The Crack
It?s something of a masterstroke - iDJ
Chris Pedley and Dan and Rich Baker proved an enthralling spectacle with their ?03 debut ?Ten Paces? and last year?s live set from London?s Jazz Caf?, ?In With The Out-Crowd?. While impressive when effortlessly slow-handed, the Bakers really ignited the crowd with devastatingly up-tempo romps of pure funk and jazz - drums, bass, guitars, brass all aligned in one perfect movement, leaving nothing to unrehearsed chance and instantly getting bums off seats. ?Dozen? evolves by de-intensifying and with greater attention on vocalists over killer solos alone. The trio are directed by Vanessa Freeman, herself a perfect exponent of a genre in its purest form after the straight up soul-R&B of her ?Shades? album. It?s undeniably perfect material for that late night barbeque or catching an after hours tipple on a summer?s evening, its consummate musicianship creating an easygoing, unpretentious sophistication to be thrown on at any time. For want of a better term, it?s mature, and happy to just coast along securely. Dare it be said, it?s what audiences will seek out in order to pep up an unfashionable CD collection. Amongst the Bakers? more reserved poise and panache remains a smidgen of past rawness. Munsters organs flesh out ?Keepin? Together?, and the all-action jam ?All Baked Out? features a main guitar solo bubbling like hot sauce on the hob. Supple plectrum action, skins given a royal slapping and a real vintage feel build ?Ponky Wockett?s Revenge?, while ?Peace of Mind? is one to saunter to in your own time, nonchalantly shifting hips from right to left. Those wowed by The Baker Brothers? previous dust-ups will be sceptical of the middle lane/coffee table they?re intent on occupying here. But for purists unimpressed with the way funk and soul has been sullied down the years, ?Bakers Dozen? is a treat to be toasted for sunshine days and sticky nights to come. 4/7 - One Week to Live
live-feeling, home-grown, organic grooves played with some passion and commitment. Best bits on this thirteen tracker are the collaborations with vocalist Vanessa Freeman -
The Baker Brothers are two real brothers ? Dan and Rich, plus Bournemouth-based Chris Peddey. Drawn together by a love of funk they formed a band and this, I think, is their third album and I can recommend it to you if you dig live-feeling, home-grown, organic grooves played with some passion and commitment. Best bits on this thirteen tracker are the collaborations with vocalist Vanessa Freeman. The opening pair ? ?What You Do Is Right? and ?Walk Into My World? show what an underrated talent she is ? a fact confirmed on the tender ballad, ?Aware Of Reality?. It?s a sweet tune enhanced with strings, while ?Winding Rhythm? is the kind of song that you might associate with Bill Wyman's Rhythm Kings and in some ways that the analogy I?d make. This band has the same kind of feel ? though because of their age, their end music is rougher and less sophisticated. Hear that best on ?Hold On? a real old 60?s soul romp while ?keepin?Together? is a lot funkier and in places jazzier. The oddity on the set is ?Don?t Turn Your Back On Me? which features a rap from Nathan Johnson. It?s not hard-rapping mind you, more jazz-based, but it does seem out of place on this kind of set. - Blues & Soul
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